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Spielberg wasnвЂ™t 100 percent happy with the wide test shots of the dinosaurs-they just weren't photorealistic enough. and Indiana Jones and the Temple of Doom, would lead the effects team at Industrial Light and Magic (ILM) in seamlessly combining all of the effects elements in post-production. Phil Tippett, who received an Oscar for his special effects work on Return of the Jedi, would use his вЂњGo-MotionвЂќ technique-an updated method of using miniatures and stop-motion animation to add motion blur to each frame for smoother and more lifelike movement-for dinosaurs in wide shots.ДЇinally, Dennis Muren, who had previously supervised special effects on the Star Wars films and Spielberg classics like E.T. rex skeleton, Lantieri was responsible for making sure the skeleton reacted, in a realistic manner, to the yet-to-be-included CGI elements. rex throws a CGI raptor into a practical T. For instance, in the final scene when the CGI T. Michael Lantieri, special effects supervisor on Indiana Jones and the Last Crusade and the two Back to the Future sequels, would supervise the interactive elements on-set. Here's footage of the 7.5-foot-tall Brachiosaurus puppet, which included just the head and neck:

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Rex, were full dinosaurs, but most were just the upper half-including the head and torso of certain dinosaurs-while others were the just bottom half, including the legs and claws. Stan Winston and his team, which created the exoskeleton from The Terminator, would build and operate the live-action dinosaur robots. In order to pull off the dinosaurs, Spielberg had to get creative.Д«ecause the dinosaurs couldnвЂ™t be life-size animatronic recreations, Spielberg had to think a little differently-so he assembled a group of special effects legends to create his vision for Jurassic Park: Unfortunately, the plans to build all of Jurassic Park's dinosaurs as similarly full-size animatronics proved too costly.ДҐ.

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Disney Imagineer Bob Gurr designed Kong as a full-size animatronic with an inflatable balloon-like skin surrounding a wire frame. The logistics of SpielbergвЂ™s original plans to bring the dinosaurs to life were inspired by the Universal Studios вЂњKing Kong EncounterвЂќ ride. A King Kong Ride inspired Spielberg's original plan for building the dinosaurs. rex skeleton drawing used for the original novel.Д¤. Most books that lead to movies end up taking the filmвЂ™s poster as their cover art, but for Jurassic Park, it was the other way around: The iconic logo on the poster was adapted from designer Chip KiddвЂ™s T. Both films were released in 1993 Jurassic ParkВ in June, and Schindler's ListВ at the end of the year. But MCA/Universal President Sid Scheinberg would only greenlight SpielbergвЂ™s Holocaust film if the director agreed to make his dinosaur picture first. Though excited about Jurassic Park, Spielberg wanted to direct his dream project- SchindlerвЂ™s List-first. Jurassic Park almost took a backseat to Schindler's List. He was so excited that he began storyboarding scenes from the book, even though there was no screenplay written yet.Дў. Crichton told him about Jurassic Park, and Spielberg immediately tapped Universal to buy the film rights in May 1990-before the book was even published.

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When director Steven Spielberg and author Michael Crichton were working on a screenplay that would eventually become the television series ER, Spielberg asked the writer about the plans for his next book. Spielberg found out about Jurassic Park while working on ER.

So far 30 million people have watched the Jurassic World trailer on YouTube.